DECISIONS, DECISIONS

I’ve been working on publishing my second novel and am finally ready. Yay! I had such good luck using Sable Books as the publisher of Terror’s Identity, I was planning to use them again. But, they’re doing so well, the start time was more than I wanted to wait. I know. I know. After waiting all this time, what’s my rush? People who see me at the New Farmers’ Market ask when my next novel is due out. And I’ve been saying “soon,” but that’s wearing thin.

 

So, with the help of my critique partners, I think I’ve got Emily’s Ride to Courage as close to perfection as possible, though I’m sure there will still be errors in it. Which is why I’m having a copy edit added as part of the cost.

 

I have chosen CreateSpace to do this book. I’ve seen good results as far as the quality of the work they’ve produced and, so far, they seem to be easy to deal with. Like sending your first child off for his first solo walk around the block, it’s hard to let go. But the only way to have your child, or your book, grow is to cautiously release it to a wider circle of love. You may shed a few tears and your hand may feel empty, but soon its acceptance in the world will make your heart sing.

 

CreateSpace is yet another Amazon company, of course. Isn’t the whole world an Amazon company? But it seems to be set up as a stand-alone Amazon entity. The corporate ties make it easier to keep the prices lower than independent companies such as Sable Books. This bothers me a bit, because “big box” stores drive out small company competitors. Just look at the collapse of “Main Street America,” which was done in by shopping malls, which were done in by online shopping. For future books I intend to give myself more lead time and go back to Sable Books. Or a combination of Sable Books and CreateSpace, because CreateSpace has more marketing outlets available.

 

Whatever avenue you choose to publish your book, please make sure you take every effort to produce a book that is a joy to read and won’t have the reader constantly stumbling over poor writing and poor editing. But do pat yourself on the back for having reached your goal.

 

The main horse in the story is a “blood bay” with four white legs and four white hooves. My husband always wanted a bay horse and this story came to me because we had to put down a young horse with four white hooves. The day after that I was cleaning our house as part of my grief therapy and Grandpa’s voice came into my head: “Won’t have me no white hooved horse. One white hoof, maybe, but never no four while hooves. They’s weak.” Well what was I going to do with that? Since I write for children, I had to come up with a child as the protagonist—enter Emily. And then of course, I had to add all kinds of wrinkles to the story. Enter Emily being away from her family, and her sister being obnoxious and a bully. Next came Mom being deployed to Afghanistan and disappearing and Dad being on the road too much for the girls to stay with him. Then we have Grandpa’s insisting Emily study math over the summer, and Emily being afraid to make new friends. Emily is worried about riding a horse she doesn’t know. Every possibly perfect horse she and Grandpa go to see as a prospective match shows one of Gemini’s potential problems—a problem Gemini doesn’t show. In the end, Emily solves all her woes, including proving Gemini to be the perfect horse for her.

 

A friend found the perfect picture of a bay horse with four white hooves to use on the cover of my book, but I cannot find out where to get permission to use it.

 

So, make sure you have all your legal issues squared away, like copyrighting your book. I paid $800 to get the official government copyright for Terror’s Identity, but more and more authors are betting on the come that they won’t need to sue anybody over infringements, so I decided not to jump through that hurdle this time.

 

If you’re young and just starting out on this journey, try the trade publishing route, but if you don’t want to go through the heart-aches of rejections, try the self-publishing route. Just remember to not take any shortcuts. Have your manuscript glistening not only in your eye, but those of critique members and professional editors.

 

No matter how you go about publishing you book, good luck with your endeavor and let me know when it’s in print.

 

The Dreams of Young Artists

Our Story Begins

Edited by Elissa Brent Weissman

Have you ever wondered when your favorite authors and/or illustrators started writing or doodling? Well, here’s your chance to find out about a number of them, because “they share fun, inspiring, and occasionally ridiculous things they wrote and drew as kids.” Twenty-six artists and writers submitted early works of writing and drawing, some from the age of five. A number of the people in this book were inspired by a teacher or an author or a well-known illustrator. Many of the earliest works were stories or pictures about mythical creatures and events, but others wrote things happening to them. The group included in this book is an eclectic mix of authors and illustrators known for their more polished stories, but the reader will see the nuggets of talent shining through at early ages. The common thread is the prodigious imaginations and drive these artists possess. This is an interesting read and should be very useful for inspiring children to follow their dreams.

At age 5, Dan Santat saw an illustration by Norman Rockwell in Time magazine and was compelled to gather up his paper and crayons to see if he could duplicate the painting. He dreamed of being hailed as an artistic genius until he discovered his painting wasn’t anywhere near as good as the original. When he started to cry, his father informed him that had taken years before he got to the stage of painting that made him famous. When Dan saw that Rockwell was very old, at least a thousand years old, the boy decided there was still time to catch up. And that he did.

  1. J. Palacio started drawing at an early age, but she also wrote stories to go along with her artwork. I’d find her a kindred spirit since she loves horses.

Maria Frazee started on a chapter book series called “June and John.” She got three chapters written, but now she looks back to see how much of the story gives a nod to her favorite authors. Anybody heard of Beverly Cleary and her “Klickitat Street?”

Jarret J. Krosochzka also was in third grade when he wrote and illustrated his first book. He still writes and illustrates books, which now put money in his pocket. He can’t imagine doing anything else.

Thanhha Lại, who left Vietnam when she was ten, as the war was ending. She had to leave all her childhood stories behind. But the poetry of her native language has stayed with her. Poetry, not just in words, but in the rhythm of the language. It still stays with her even in English.

Eric Rohmann made a get well card for his aunt Helen when he was nine. It featured her long dead, but still favorite dog, Butchy. Drawing is part of who he’s always been. He doesn’t remember his aunt response to the card, but he does remember that she kept carefully folded away in her memory box and he found after she died.

Linda Sue Park has always written poems. It’s part of who she is, and she shared two in her remembrance of a younger Linda. Nice poems.

Phyllis Reynold Naylor who credits her love of writing to her parents and her kindergarten teacher. Her parents read to her, and her teacher sat on the floor with her students every afternoon so they could make up stories.

Gordon Korman had to dig deep to remember stories he had written before he was published since his first novel was published during his seventh-grade year. He published four novels before finishing high school.

 Elissa Brent Weissman joins the students who found their niche in third grade. She was inspired by Gordon Korman but didn’t have as easy a start as he. The beginnings of a novel she submitted to publishers when she was in sixth grade did not gain immediate success, but she didn’t stop writing.

Kathi Appelt frequently wrote about horses, which filled up a bit of the empty space in her horse-loving soul. Fortunately, her writer’s soul brings us all good stuff.

 Gail Carson Levine and three friends started the “Scribble Scrabble Club, newsletter when they were ten, and she published her story, “Adventurous Girls.” The newsletter didn’t last long, at least not with Gail as president. Her friends got tired of her pushy ways.

Chris Gall got in trouble for doodling on his desk in second grade. His teacher claimed he might be an artist one day before making him scrub all the desks in the room. All that scrubbing didn’t stop him from drawing.

Rita Williams-Garcia’s friends in elementary school were horrified when one girl signed her scrapbook, “To Rita, an off-beat but nice young lady.” Didn’t bother Rita. She relished her off-beat self.

Cynthia Leitich Smith dreamed of entering her school’s sixth-grade competition fair in language arts. She got a “thanks for participating” white ribbon. She did turn one poem into a Christmas card for her parents. Her mother still has it.

Peter Lerangis says he learned quickly that humor was his way to survive elementary school because he was the object of bullies. Though most of his teachers tried to settle him down, Mr. Shebar encouraged his humor, allowing Peter to use his talents.

Candace Fleming was a “journal girl,” which she started doing in fifth grade. She learned her writing skills by imitating her favorite writers. She discovered in the end that she was developing her writer’s ear.

Brian Selznick was encouraged from an early age to be an artist, which brought him great joy. He took lots of art classes during school and also after school. His portrait of a woman’s face is quite good, especially at age ten. He loved drawing the characters in movies such as Star Wars.

Tom Angleberger tells us about his first story about the world of Yodium. Boring, he says. Starting with not a sword fight, but a detailed description of the world’s government, our author thinks it’s because he “basically never shut up.”

Alex Gino, even as a kid, was set on writing a book, even going so far as finding out about vanity presses, but she discovered she’d have to pay them to publish her book, including having them design a cover for her masterpiece.

Tim Federle at age twelve wanted to be on Broadway. A passion he discovered at summer camp where he played in “Annie.” His mom sent him to camp with a diary which he discovered a wonderful way to write down his thoughts.

Kwame Alexander made his mother cry when he gave her his first poem—framed, no less. He figured he’d better keep at this writing thing if it could get that kind of reaction.

Grace Lin used the basis of her childhood story of a winning poem for her first novel The Year of the Dog, though the winning story in her novel is not the one she wrote back then. The story is the Dandelion Story for which she won fourth place.

 Chris Grabenstein discovered the fun in writing when he started publishing his own comic books in the fifth grade. He was a big fan of newspaper columnist Art Buchwald, a seriously funny guy.

Yuyi Morales shows her artistic talent with a copy of her quite good self-portrait as an eleven-year-old about to enter middle school. No wonder she’s done so well.

The last entry is by Ashely Bryan, another impressive artist, who shares photos of some of his early works. Like most of the talented people in this book, he started young and just kept on drawing

BIBLIO: 2017, Atheneum Books for Young Readers/Simon & Schuster Children’s Publishing Division/Simon & Schuster, Ages 8+, $17.99.

REVIEWER: Sarah Maury Swan

FORMAT: Middle-Reader

ISBN: 9781481472081

ISBN: 9781481472104

 

 

While I was reviewing this book, I remembered what both my brother Richard Maury and my son Stephen Swan have said about their artistic talent. They don’t know what else they could do. You can check out their work by Googling Richard Bunker Maury and Steve Swan. Have a good week and keep on doing your thing. Sarah

 

 

 

What Good Writing Looks Like

I read a great many books during a year, largely because I review children’s books for the Children’s Literature Comprehensive Database, but also because I love to read.

I don’t just read books published by the “trade” and “indie” publishers, but also self-published books that I find at conferences and book-signing events.

Generally speaking, the trade and indie books have some merit, though they may be in need of a more thorough edit.

Sad to say, a large percentage of the self-published books should never have seen the light of day. That may be an arrogant thing to say, since I self-published my first novel, Terror’s Identity, but I did have two professional editors critique and edit the book to a fare-the-well. And I used much of their editing input to improve the story.

Anyway, the two books I’m commenting on this week fall into the trade publisher category and are well worth the money or trip to your library.

It is amazing the number of gifted writers floating around in our universe.

Cherry Money Baby

John M. Cusick, whom I had the pleasure to meet the past August at the SCBWI-Carolinas’ annual conference, has written an interesting book about a teen-aged girl who loves her small town and her family. She has no ambition other than to graduate high school, marry her boyfriend, and live happily ever after. That is until she meets a movie star not much older than she, who is filming an historical-fiction movie in Cherry’s hometown.

The movie star befriends Cherry and turns her upside down by introducing her to drugs and wealth and the playgirl life. All of this causes Cherry to pause and reevaluate who she is and what she should do with her life. The story is well told and intriguing, reminding us that things frequently are not what they seem to be. In the end, Cherry solve the puzzle of who she is and where she wants to end up.

BIBLIO: 2013, Candlewick Press, Ages 14 +, $16.99.

REVIEWER: Sarah Maury Swan

FORMAT: Young Adult

ISBN: 978-0-7636-557-0

Orbiting Jupiter

Gary D. Schmidt is not only an astounding teacher, but an exceptional author. This book will stay in your mind and heart for a very long time, filling you with heartbreak and joy. The story is told by Jack, who is the son of a local farmer in a small northern town. His parents take in foster children to give them a loving home, at least for a while.

Their latest foster child is 13-year-old Joseph, who has already fathered a child with the love of his young life. But he’s never seen his daughter and mourns the death of his girlfriend. He is sullen–or so it would seem–angry, but turns out to have a way with cows. He goes to school with Jack, who becomes fond and protective of him.

Joseph hasn’t had a happy life since his mother abandoned him and his father abuses him.

The story blossoms into the bond between the two boys and then Jack’s endeavor to help Joseph find his young daughter, Jupiter, named for Joseph and his girlfriend’s favorite planet. The end of the story is bittersweet, with Joseph dying and Jack’s family adopting Jupiter. Definitely worth reading, if you haven’t already.

BIBLIO: 2015, Clarion/Houghton Mifflin Harcourt Publishing Company, Ages 13 +, $9.99.

REVIEWER: Sarah Maury Swan

FORMAT: Young Adult

ISBN: 978-0-544-46222-9

ISBN: 978-0-544-93839-7